American Impressionist Frame Reproduction

Antique Frame Reproduction

Our shop recently completed an antique frame reproduction project for one of our museum clients. The original frame is an American profile simplified from the American Impressionist style with hand carved arrow fletching motif in the corners. The panel (flat area in the middle of the frame rails) is chip- carved giving it an undulating texture with periodic crescent shapes. Because the new frame is small (for a painting 8” x 10”) the client asked us to make without the crescents.

Am. Impressionist Original

We began by purchasing raw wood moulding with an American Impressionist profile and then we carved off some decorative elements to match the original frame. Once the frame was built, we made the chip-carve using a spoon shaped chisel. We drew the corner decorations by hand and rubbed the drawing onto the frame. This gave us a guide for the actual carving which was completed with chisels of various shapes as well as razor knives.

modifying-stock-moulding

carving-ornaments

completed-raw-carve

After applying several layers of gesso and red bole to smooth the surface, we gilded the frame with 22K gold which resulted in a very bright finish that needed to be toned and antiqued to match the original frame. This step was perhaps the most satisfying because the frame took on the illusion of age that is appropriate to the painting it was built for.

bright-gold-after-gilding

A final coat of wax deepens and saturates all the layers that have been applied. The two frames can now be exhibited side-by- side without a hint that one is brand new.

final-frame-with-applied-antique

15
Sep 2016
AUTHOR braydee
CATEGORY

Framing, News

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Frame Restoration: Junk Shop Find 1760s Louis XVI Frame

A few process photos from one of our most recent restoration projects, a “junk shop” find 1760s Louis XVI frame.

1760s Louis XVI frame 1

A great example of a hand-carved Louis XVI frame. Probably 1760s.

1760s Louis XVI frame 2

After stripping the paint, Brian chipped away thick gesso and multiple layers of previous restoration attempts to find this gorgeous hand-carved lamb’s-tongue ornament.

1760s Louis XVI frame 3

This is the resurrected frame with 8 coats of yellow burnishing clay (bole) applied. We coat the outer rail, lamb’s-tongue and beads with red bole before gilding.

1760s Louis XVI frame 4

Mid-way through the gilding process.

1760s Louis XVI frame 5

Gilded and burnished… ready to be distressed to replicate almost 250 years of use and abuse.

1760s Louis XVI frame 6

Gilded, distressed, antiqued… with the original carve back from the dead.

11
Jul 2013
AUTHOR braydee
CATEGORY

Framing, News

COMMENTS No Comments